| Questions and answers that generated an image:
P: Você pagaria uma diária de aproximadamente (BRL) R$ 3.000,00 em uma casa térrea em um lugar com temperatura aproximada de 0⁰ Celsius?
R: Eu não sou classe média ostentação, por aquele preço seria possível comprar uma geladeira nova, provavelmente ela duraria anos, talvez décadas, e ainda sobraria dinheiro, eu sei o valor de cada centavo que eu gastei até agora.
Q: What do you think about turning all public spaces into private spaces?
A: I'm against it, that's a mistake.
Q: Are you in tune with the new capitalism, which is more totalitarian and authoritarian?
A: Impossible.
Q: Have you already chosen an image to illustrate this publication?
A: Not yet. I'll have a coffee, I'll do some housework in the kitchen, the freezer needs to be defrosted, but not now, the refrigerator isn't new, it's from a time when products were manufactured to last years, or better yet, decades, but that time is not valued as smart for some people. Where I am based it is common to find the situation where everything bad that happens, or has happened, is always the fault of the portuguese, the military, the republic, the presidential system, democracy, and those who apparently are not working arouse feelings of envy, in brown people, in migrants, ... The higher the population density, the greater the social tension in everyday life.
Q: Would you like to mention any song that mentions 'victory'?
A: It is possible:
Patti Smith Group - Till Victory (1978).
Toy Dolls - Glenda and the Test Tube Baby (1983).
Easter (1978) (LP), I borrowed it from a close friend. Wave (1979) (LP), I bought it new, but several years later I passed it on to a friend who had Horses (1975) (LP), and maybe Radio Ethiopia (1976) (LP).
Dig That Groove Baby (1983) (LP), I bought it new, I still have it.
Q: Do you feel inferior when you value someone else's good artistic work based on affinity?
A: No, I even paid to have more access to it when I could. Even though I don't have an affinity, I currently continue to analyze what others do in the Art field, this doesn't mean that I have to like what I don't like. I didn't like the decadent and claustrophobic approach of the film Cidade de Deus (City of God) (2002). In that film they mixed at least two decades to materialize a pejoratively dense film. In the peripheral artisanal film industry of that country, that theatrical environment constantly promotes the idea that poverty and crime are part of the same family. It's not just me who thinks otherwise, but without ignoring that reality, and from one moment to the next it can be visible and very dangerous.
Q: What does the place where you are based need?
A: Silence.
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