sexta-feira, 24 de janeiro de 2025

Convergent, divergent, dissident, expedient.


| Questions and answers, title, images:

Q: In the previous post, did you put rivets in your author citation?
A: No, I didn't even put any lights around the mirror.

Q: Why are there so many repeated keywords in recent publications?
A: I thought it was relevant.

Q: What percentage of words do you know from a dictionary?
A: The amount has increased little by little.

Q: Why is something developed by a developer?
A: To combat extinction.

Q: What will this post be about?
A: I'm thinking about it, ...

Q: Will you mention at least one abbreviation?
A: It is possible, I will mention some films that I watched on TV and considered them relevant, above average of those that usually show on TV.

Q: Which?
A: Enemy at the Gates (2001), The Whistleblower (2010), The Lovely Bones (2009).

Q: Would you like to comment on them?
A: It could be. In short:
Enemy at the Gates (2001); film based on a historical event, WW2, which was the restart of WW1, for worse, much worse.
The Whistleblower (2010); not even the UN was immune to capitalist corruption.
The Lovely Bones (2009); a film about the incredible cerebral world of a serial killer, simple reasoning can get lost in the darkness and be structured into perverse and heinous practices, sequentially.

Q: Do you like your bones?
A: Yes. I think, I believe, and I consider my bones indispensable for the support of my intelligence.
In the distant past of my life, I would relate the approach of that beautiful film, about a specifically ugly subject, to a good and beautiful interpretation of spiritism, but time passed and I experienced other interpretations, and with that I continued to do updates on various subjects, including the spiritist lie, about totalitarian and authoritarian people, liars, malicious, corrupt, who place traps in a person's path for him to fall into, and then appear before public opinion as victims, specifically lying women, and disguised racist browns who act as an electoral arm.

Q: Do you fully believe what communications agencies and press offices publish working for the people who are paying them?
A: Advertising is not journalism. The flow of money is multi-existential in capitalism.

Q: What do you like to watch on TV these days?
A: Between the constant and repetitive simulations of violence of two keys on the keyboard, drugs & guns, guns & drugs, and real violence, I prefer to watch documentaries with True Crime content, they are more didactic, but predictable.

Q: Why two life sentences?
A: Perhaps because if that hideous person believes that spiritism is true, it is not a doctrinal lie, and he will return after death, he will return to live another life sentence. Perhaps more life sentences are to make the reasoning more emphatic.

Q: What else is on TV?
A: Documentaries related to the emergence and expansion of nazism. There really is a huge amount of them, very well structured and full of information, really educational. It is not possible to watch them all in sequence before going to sleep, really need something milder, a painkiller. Some of those documentaries are truly worthy of being awarded for their quality, and one of them in particular, told in a series, caught my attention, the stories are told by people from another generation, sons and daughters, grandsons and granddaughters, descendants of people who lived through that, regardless of which side those people's parents and grandparents were on.

Q: Was your biological father a war hero?
A: Not that I know of, but if he had really gone to Europe in the late thirties or early forties, there is at least a fifty percent chance that I would never have been born because he would have died before me, in this, a really very mysterious mystery, when the United States of America stepped onto the moon and looked down at the Earth, the astronauts did not gaze at an ambiguous red ball with a white circle on it, and in the middle of that white circle a neo-buddhist logo about climate change. The nazis were really nazis, they really believed in what they were doing, they really believed in the industrial revolution, the survivors of that time are witnesses to that.

Q: Would you like to mention an ambiguous song related to the topic?
A: RAMONES - It's a Long Way Back.
Maybe it's a song about jews who wanted to go back to live in Germany, not finally go live in Israel.

Q: Would you like a new Hitler to emerge?
A: This is a well-known and old question: no.

Q: Are the images you added to encourage an arms race?
A: No, to remind people that war is a waste.

Q: Could you explain why transporting a water tank from one place to another on a planet where there is no rain?
A: Is the question related to the movie Paris, Texas (1984)?

Q: You didn't mention the movie Hanna (2011).
A: I didn't forget, I was going to mention it.
I don't know if the film could be considered a cyberpunk film, I don't think so, but it resembles either of the two Blade Runner films, but less futuristic, closer to something that could be found in the real world, like in the film The Numbers Station (2013).

Q: Is having a woman in a film a criterion for mentioning a film?
A: No. The criterion is that the film is relevant. Sophisticated computer graphics and sophisticated special effects are also not one of the criteria, the film may not be sophisticated but may be relevant, but today's films are no longer simple, if they ever were simple, and their dynamics are different, scenes change in less than a second.

Q: Do you support all the keywords you mentioned in this post?
A: No.

Q: Anything else?
A: It was a common and constant situation not to sleep in order to have to meet short deadlines to deliver work. One of those times, when my body was more resistant, while I was waiting for the coffee to be ready in the kitchen, which was also a photo lab, I refreshed myself by taking a picture of the sun rising on the horizon, from the place where I worked, the living room transformed into a studio.
Nowadays, disenchanted, but not yet completely, I see some images on TV that I know the language and know how to make, I have experienced them, but that alone is no longer enough, and it is not necessary to print rolls of toilet paper for them to be consumed by the electorate that is in society.
Yet another superfluous craftsman in today's automated and robotized civilization to live in a police state with daily facial verification? How many futuristic fiction films have addressed the subject? Several.


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